CuiousPages - fiction and nonfiction
CuriousPages - fiction and nonfiction
I cling to a stranger’s arm. I do not want him to leave.
“Tell me something,” I hear myself asking him.
He looks puzzled, “What?”
“Anything. I want to hear all about you,” I tell him and watch him with unfeigned interest. This is more curious to me than the most fascinating fact. I need to hear his story. If he walks away, I will be alone and I cannot be alone, “Just say something,” I tell him, “Go on, anything.” I know how strange it sounds as I watch his increasing alarm, but I can sense my shadow standing behind me, watching me, getting ready to sidestep, should I suddenly look round. “Go on,” I say, “go on—” trying to hide the desperation in my voice.
The stranger grabs my arm with his free hand and unshackles himself, “I’ve got to go,” he tells me, without even looking at me.
He can see it too; I know he can; he has seen that shadow hovering behind me and he is now running scared, leaving me alone with it, and these words surge up into my throat, I can not help them, “Coward,” I yell, watching his terror as he diminishes in size, smaller and smaller, almost running.
There are people all around me, walking, passing by, this way and that and none of them will stop; it is right behind me; I am now walking, and it is following me. Occasionally I’m sure I can hear its breath; I must stop someone else, talk to someone else.
“Can you tell me the time,” I ask another face, a stranger; I’ll never see him again; I see him for that brief second, when he enters my life, fills it; our eyes connect, see nothing, nothing but fear; our eyes are afraid; we are afraid; and then he is gone and that fear lies between us like a discarded bomb.
I walk too, leaving it behind, pursued by my shadow.
It is not a visible shadow. It’s more of a feeling, a feeling that follows me around; or an idea. No, it’s more substantial than an idea; perhaps an emotion; yes, that’s it; it’s more like an emotion, disembodied, that follows me around. And its mood changes from day to day, from moment to moment. Sometimes it starts to become angry and I can feel its gaze clothing me with discomfort.
I am almost running now as I turn into the library. I like it here. There are always people in here and my shadow stays outside; I can sometimes sense it prowling the streets, watching the windows, waiting for it to get dark, waiting for closing time when I will have no choice but to rejoin it. But for the moment I am calm. I could stay here all day if I wanted to; it doesn’t cost anything. I could just sit.
And then I must go; the librarian’s eyes have driven me away; it’s almost as if they are the agent of my shadow; they are made of the same substance, the same light, the same darkness, that same cloud of heaviness that hangs in the air waiting to descend and smother my breathing. The librarian’s eyes whisper to my shadow as it prowls outside and the two are singing their cloud towards me, as though my shadow had hypnotised the librarian’s eyes and, through them, it could enter the building and pursue me. I stand and make my escape.
Outside I stay one pace ahead of the shadow; if I walk quickly enough, it will never reach me. But then I arrive at my front door. I place the key in the lock and pause. I know that once inside, there will be no escaping it, but as I stand there, paused, I can feel it closing in on me. I turn the key and close the door behind me. I stand, perfectly still and silent for a moment. I think I have left it outside. I cannot sense it in here with me.
I draw a curtain across the door, as though keeping out light would bar its entry. I turn and look along the hall but in the distance I think I catch a glimpse of it running between my kitchen and another room. It seems that it’s already in here, prowling my house around the edges of my vision, waiting for its moment to envelope me, a moment when my guard is dropt, fallen to the floor like a carelessly abandoned garment as the shadow then clothes me instead and I feel the immensity of its nothingness expanding from deep within me, till I am it and it is me, and I am a tiny, aching spec lost amid endless, empty space.
I walk into my living room and close the door behind me, switching on only a small sidelight. Somehow the semidarkness is a comfort, is somehow company. I stand with my back to the wall. If I keep watch, I should be able to resist it. I don’t think it’s yet inside the room with me. I stand for a whole ten minutes, secure, but imprisoned. What am I going to do?—spend the whole of the rest of my life standing against this wall? This is crazy. How can I live like this? I have to face it; I can’t stand here anymore; I can feel it waiting out in the hall, patient, dormant, like an invisible cloud coiled in the form of a snake, sleeping but conscious, waiting in the sure knowledge that I will come to it; I will have to; all it has to do is just sit there waiting, patiently waiting and I can take it no more; this is all crazy; just do it to me; let me have it; and I am opening the door and then I’m out in the hall and I have surrendered and that snake springs and envelopes me. I drop to a sitting position with my back against the wall and my whole being is an empty, disembodied ache.
I have become afraid of this feeling because I know what it wants me to do, and one of these days, very soon, I just might do it. This certainty is the only clear thing left to me in moments like this. It is my constant companion; it is as real as a loved one; it is the only reality I can truly sense and know. I sit here with this clear idea inside me now, and I am not afraid of it anymore, now that it is here inside me, this knowledge that at any moment now I just might enact the simple, final solution. I acknowledge this idea and then feel lifted. It seems to depart from me—for now. It seems it only wanted to know I had not forgotten it.
The hall somehow feels lighter. I stand and resume my routine. And I know that for one more day, my life will be safe.
In the kitchen of 17 Misconception Boulevard, Sally Softly and the half‑dressed chief constable were standing beside the coffee machine. Above the gurgling machine, the muffled exchanges of the three visitors in the living room could be heard.
Sally was deep in thought about this man on the sofa whom she had deduced (by “scientifically examining the facts”) was Peter’s half‑brother. She then felt Roland Wise’s hand scurrying over the back of her leg. She recalled that look on his face as he got up off her in the living room—got quickly up off her and then sighed with relief. She pictured him with Peter on the golf course, both laughing about her. She shuddered again at the thought of their trickery, then grabbed Roland’s shoulder, said, “Right—we’ll start in the garden,” and pushed him towards the back door.
He seemed reluctant, “The garden—”
She tugged at his arm while warning him, with a playful smile, “We’ll have to be quick mind—”
His legs started to tremble, “But—”
She looked at his reluctant expression which appeared to be expressing disgust at the idea of having sex with her. And something about his expression incensed her even more than usual (—Right. I’ll get them both back for this. Wants to have a laugh about me, does he? Well, let’s see him laugh about this—). And she tugged more firmly on his arm, saying, irritably, “Come on,” and slipping his underpants down over his buttocks with her other hand as she tugged him towards the door.
Roland—holding onto his underpants—appeared to be somewhat flustered, “But, but—”
But she was not having any of this; she opened the door, snapped, “Get out there,” pushed him out through it (Roland still dressed in only his shirt, underwear, shoes and his chief constable’s hat—for he was still apparently unaware he was wearing it) and as they stepped out through the door, Sally’s smirk triumphantly returned at the thought of Roland’s marathon performance around the garden.


Fiction and nonfiction by Fletcher Kovich and also classic writers.


Acupuncture Explained

Acupuncture Explained

Nonfiction. The book provides a clear, easy-to-read account of what Chinese acupuncture is, how it works, and what it can treat all expressed in terms that can be understood by Western readers. It provides acupuncture students or patients with an overview of the entire subject. Read more>> 

Traditional Chinese Medicine

Traditional Chinese Medicine
Nonfiction. Articles and Essays on various aspects of Traditional Chinese Medicine, mainly focusing on acupuncture. Read more>> 

The Tragedy of Perception

The Tragedy of Perception
Full-length novel. In a town called Perception, the citizens are ruled by an extravagant madness. The novel is a comic allegory about communication problems. Read more>>

Secrets of the Hidden Vessels

Secrets of the Hidden Vessels

Nonfiction. This book clearly explains Chinese acupuncture. It describes which parts of the Nei Jing are fact based, metaphorical, or untrue; identifies the conflicting Nei Jing theories on metabolism, and which are true or untrue; and key concepts such as the Chinese medicine organ functions are also clearly explained in relation to contemporary physiology.

The book provides students or practitioners with an indispensible guide to properly understanding the Chinese medicine of the Nei Jing. And it also enables Chinese medicine to be explained to patients using terms they can understand. Read more>> 

Stories from a Leaking Mind

Stories from a Leaking Mind
A collection of short stories. Each of the eighteen stories are different in style but all feature a comic, thoughtful and poetic approach to this exploration of the striking inner worlds of these memorable characters. Read more>>